| Issue | Title | |
| No 6 (2021) | Table of contents | Details PDF |
| Anna Bendrat | ||
| No 9 (2024) | Table of contents | Details PDF |
| Anna Bendrat | ||
| No 4 (2019) | Table of Contents | Details PDF |
| Redaktor Naukowy | ||
| No 5 (2020) | Table of Contents | Details PDF |
| Anna Bendrat | ||
| No 8 (2023) | Table of contents | Details PDF |
| Anna Bendrat | ||
| No 7 (2022) | Table of contents | Details PDF |
| Anna Bendrat | ||
| No 9 (2024) | Telling Her Story: The Representation of Women in Hamilton: An American Musical (2015) | Abstract PDF |
| Hana Lina Dalel Berraf | ||
| No 3 (2018) | The British Origins of The First American Cookbook: A Re-evaluation of Amelia Simmons’ American Cookery (1796) | Abstract PDF |
| Anna Węgiel | ||
| No 2 (2017) | The Crying of Lot 49 and the Parody of Detective Fiction | Abstract PDF |
| Borys Róg | ||
| No 1 (2016) | The Image of Contemporary Society in Neil Gaiman’s Neverwhere | Abstract PDF |
| Julia Kula | ||
| No 9 (2024) | The Impact of Artificial Intelligence on Film Criticism: Balancing Advancement and Human Expertise | Abstract PDF |
| Helga Szabó | ||
| No 8 (2023) | The Impact of Service-Learning on English Education. A Socio-Cultural Project as an Attempt to Increase Cultural Awareness | Abstract PDF |
| Izabela Olszak | ||
| No 1 (2016) | The Importance of the Ordinary. Moments of Being in Virginia Woolf’s Mrs. Dalloway | Abstract PDF |
| Emilia Flis | ||
| No 2 (2017) | The Labyrinth as an Anti-Home in Mark Z. Danielewski’s House of Leaves | Abstract PDF |
| Magdalena Solarz | ||
| No 9 (2024) | The language of manipulation: A multimodal discourse analysis of mainstream news media and fake news websites | Abstract PDF |
| Martin Mikulas | ||
| No 6 (2021) | The Magical and the Mundane in Graham Swift’s Here We Are | Abstract PDF |
| Bożena Kucała | ||
| No 4 (2019) | The Middle East in American Media: A 21st Century Overview | Abstract PDF |
| Ayman Al Sharafat | ||
| No 9 (2024) | The phenomenon of nostalgia in American popular music. The cases of Drake’s “Honestly, Nevermind”, Beyoncé’s “Renaissance”, and The Weeknd’s “Dawn FM” | Abstract PDF |
| Kacper Bator | ||
| No 9 (2024) | The Representation of Refugee Experiences in Christy Lefteri’s The Beekeeper of Aleppo (2019) | Abstract PDF |
| Yasser Khazne | ||
| No 8 (2023) | The Representation of the Anglo-American Cultural Conflict under George VI: Downton Abbey and Hyde Park on Hudson | Abstract PDF |
| Justyna Fruzińska | ||
| No 8 (2023) | The (R)evolution of Music Video in American Music Industry | Abstract PDF |
| Lidia Kniaź-Hunek | ||
| No 1 (2016) | The Shadow of the Past. The Lord of the Rings and the Gothic Novel | Abstract PDF |
| Katarzyna Ferdynus | ||
| No 5 (2020) | The Space of the New Ethnic Neighborhood: Polka Festival as Imagined Community | Abstract PDF |
| Ann Hetzel Gunkel | ||
| No 2 (2017) | The Translation Minefield On Specific Translation Challenges Posed by the Graphic Novel Form | Abstract PDF |
| Jerzy Skwarzyński | ||
| No 6 (2021) | The WELL and Usenet Alternative Newsgroups: Revisiting the Free Speech Revolution on the Electronic Frontier of the 1980s and 1990s | Abstract PDF |
| Julie Momméja | ||
| No 4 (2019) | Tracing Menstruation in British and American Culture. Strategies of Invisibilization, Stigmatization, and a Question of Im-Purity in Historical and Cultural Context | Abstract PDF |
| Jaśmina Kasenko | ||
| No 4 (2019) | Translating Images. Comic Books and Graphic Novels as Multimodal Texts in Translation | Abstract PDF |
| Jerzy Skwarzyński | ||
| No 4 (2019) | Translation of Video Games in the Context of Polish Localizations | Abstract PDF |
| Damian Gacek | ||
| No 1 (2016) | Two Cinematic Portrayals of Teachers: John Keating in Dead Poets Society and Terence Fletcher in Whiplash | Abstract PDF |
| Kaja Zabłocka | ||
| No 3 (2018) | (Un) cultural Cats: Multi-dimensional Transition of Felines in Human Society | Abstract PDF |
| Katarzyna Łogożna-Wypych | ||
| No 5 (2020) | Very Young Learners in a Gallery of Modern Art – Opportunities Arising from the Implementation of Modern Art in Foreign Language Teaching | Abstract PDF |
| Krystian Kamiński | ||
| No 9 (2024) | Visualizing the Invisible: A Multimodal Analysis of How the Blowin’ in the Wind Picturebook Adaptation Interprets Abstract Song Themes | Abstract PDF |
| Zhe Xiong, Quntao Wu | ||
| No 2 (2017) | Why Money Cannot Buy Happiness. The Painful Truth about Traditional Proverbs and Their Modifications | Abstract PDF |
| Justyna Mandziuk | ||
| No 6 (2021) | Wolves in the City of Domesticated Women: The Queer Wild of Olivia Rosenthal | Abstract PDF |
| Paulina Szymonek | ||
| No 3 (2018) | Women, Nature and Capitalist Patriarchy: An Ecofeminist Reading of Margaret Atwood’s The Year of the Flood (2009) | Abstract PDF |
| Paula Wieczorek | ||
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