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								| Vol 49, No 3 (2025): Critical Epistemologies from Latin America and Spain in the 21st Century (Guest Editors: Katarzyna Moszyńska-Dürst & Mariola Pietrak) | 
				Beyond Postmodern Panfictionality: Spanish Metamodern Fiction after 15-M | 
				
																																											
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											Paula Romero Polo									 | 
			
			
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								| Vol 49, No 3 (2025): Critical Epistemologies from Latin America and Spain in the 21st Century (Guest Editors: Katarzyna Moszyńska-Dürst & Mariola Pietrak) | 
				Inexpressive, Fragmented or Untraceable Bodies in Ernesto Semán’s "Soy un bravo piloto de la nueva China" | 
				
																																											
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											Aránzazu Calderón Puerta									 | 
			
			
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								| Vol 48, No 2 (2024): America in Crisis? Literary and Cultural Representations of American Crises (Guest Editors: Ewa Antoszek & Małgorzata Rutkowska) | 
				All Because You Matter – Manifestations of Black Struggle and Resilience in Black Lives Matter Children’s Picturebooks | 
				
																																											
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											Ewa Klęczaj-Siara									 | 
			
			
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								| Vol 48, No 2 (2024): America in Crisis? Literary and Cultural Representations of American Crises (Guest Editors: Ewa Antoszek & Małgorzata Rutkowska) | 
				The Californian “Trash World:” Crisis and Catastrophe  in Philip K. Dick’s Novels | 
				
																																											
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											Felix Purat									 | 
			
			
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								| Vol 48, No 2 (2024): America in Crisis? Literary and Cultural Representations of American Crises (Guest Editors: Ewa Antoszek & Małgorzata Rutkowska) | 
				Introduction | 
				
																																											
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											Ewa Antoszek,											Małgorzata Rutkowska									 | 
			
			
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								| Vol 48, No 1 (2024): Cultural Landscapes of East Central Europe in Travel Prose (Guest Editor: Anna Pastuszka) | 
				Journey Begins in One’s Own Room – Imaginary Topographies in Oswald Egger’s Artist Book "Either I only dreamed the trip on the Mississippi or I’m dreaming now" | 
				
																																											
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											Beate Sommerfeld									 | 
			
			
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								| Vol 47, No 3 (2023): Foreign Language Learning and Teaching in Pandemic and Non-Pandemic Times (Guest Editors: Marek Krawiec, Ferit Kılıçkaya & Tomasz Róg) | 
				Reconsidering Spatial Interaction in the Virtual Literature Classroom  after the Pandemic Lockdown | 
				
																																											
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											Mustafa Zeki Çıraklı									 | 
			
			
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								| Vol 49, No 3 (2025): Critical Epistemologies from Latin America and Spain in the 21st Century (Guest Editors: Katarzyna Moszyńska-Dürst & Mariola Pietrak) | 
				The "(C)hueca" Writing of Claudia Rodríguez as Travesti Revenge | 
				
																																											
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											Ángeles Mateo del Pino									 | 
			
			
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								| Vol 48, No 1 (2024): Cultural Landscapes of East Central Europe in Travel Prose (Guest Editor: Anna Pastuszka) | 
				History, Culture and Memory in the Novel "Grunowen oder Das vergangene Leben" by Arno Surminski | 
				
																																											
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											Konrad Łyjak									 | 
			
			
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								| Vol 48, No 1 (2024): Cultural Landscapes of East Central Europe in Travel Prose (Guest Editor: Anna Pastuszka) | 
				New Odysseys or from Mare Nostrum towards Mare Monstrum? (The) Mediterranean Route(s) in Selected Examples of Contemporary German Literature | 
				
																																											
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											Stephan Wolting									 | 
			
			
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								| Vol 48, No 4 (2024): Translation and Multicultural Discourse in the Service of Human Understanding (Guest Editors: Paweł Bąk & Anna Małgorzewicz) | 
				The Theme of Marriage in F. Scott Fitzgerald's Prose | 
				
																																											
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											Lucyna Harmon									 | 
			
			
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								| Vol 48, No 1 (2024): Cultural Landscapes of East Central Europe in Travel Prose (Guest Editor: Anna Pastuszka) | 
				A Journey to ‚German Prague‘. Gertrud Fussenegger’s Travelogue 'Bohemian Enchantments' ["Böhmische Verzauberungen", 1944] | 
				
																																											
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											Christopher Meid									 | 
			
			
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								| Vol 47, No 4 (2023): Stories and Conflicts. Narratives of War in Contemporary Literature (Guest Editor: Anna Maziarczyk) | 
				Inscription of History in "Un long moment de silence" by Paul Colize | 
				
																																											
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											Renata Bizek-Tatara									 | 
			
			
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								| Vol 48, No 1 (2024): Cultural Landscapes of East Central Europe in Travel Prose (Guest Editor: Anna Pastuszka) | 
				Europe‘s Cultural Landscapes in Travel Literature. An Introduction | 
				
																																											
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											Anna Pastuszka									 | 
			
			
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								| Vol 42, No 3 (2018): Water in Belgian Francophone literature (1830-2017) (Guest Editor: Renata Bizek-Tatara) | 
				Is the postcolonial subject soluble in water? The aquatic motif in Saber Assal’s “À l’ombre des gouttes” | 
				
																																											
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											Przemysław Szczur									 | 
			
			
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								| Vol 43, No 1 (2019): Literature, politics, economy:  similarities and interferences (Guest Editors: Anna Maziarczyk & Jolanta Rachwalska von Rejchwald) | 
				The place of a woman  on the literary scene. The strategies of  legal validation | 
				
																																											
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											Hélène Barthelmebs-Raguin									 | 
			
			
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								| Vol 48, No 1 (2024): Cultural Landscapes of East Central Europe in Travel Prose (Guest Editor: Anna Pastuszka) | 
				Psychogeographical Walks with Paul Scraton and his Walk Book "On The Edge: Berlin Outskirts" | 
				
																																											
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											Jerzy Kałążny									 | 
			
			
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								| Vol 45, No 4 (2021): Thinking, Writing and Translating Otherness (Guest Editors: Olga Kulagina & Anna Maziarczyk) | 
				Uncle Sam’s Soldiers: Stereotypes of American Combatants in French Children’s Literature During the Great War (1917–1920) | 
				
																																											
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											Joceline Chabot,											Noémie Haché-Chiasson									 | 
			
			
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								| Vol 39, No 1 (2015) | 
				14 Jeana Echenoza: war novel and pathos | 
				
																																											
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											Dominique Faria									 | 
			
			
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								| Vol 44, No 4 (2020): Geocritical Readings of Literature over the Centuries (Guest Editors: Loubna Achheb & Anna Maziarczyk) | 
				Ian Rankin: A diachronic Study of the City of Edinburgh | 
				
																																											
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											Florence Dujarric									 | 
			
			
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								| Vol 44, No 2 (2020): Formal Intersections between Narrative Fiction and Other Media (Guest Editors: Grzegorz Maziarczyk & Wojciech Drąg) | 
				From Brushes to Lenses: An Ekphrastic Stroll in "A Line Made by Walking" by Sara Baume | 
				
																																											
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											Joicy Silva Ferreira,											Miriam de Paiva Vieira									 | 
			
			
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								| Vol 44, No 4 (2020): Geocritical Readings of Literature over the Centuries (Guest Editors: Loubna Achheb & Anna Maziarczyk) | 
				And If, at the Louvre, We Breathed a Ghost! Geocriticism of a Museum As a Space | 
				
																																											
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											Lamia Mecheri									 | 
			
			
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								| Vol 44, No 2 (2020): Formal Intersections between Narrative Fiction and Other Media (Guest Editors: Grzegorz Maziarczyk & Wojciech Drąg) | 
				Ekphrastic Insets in Welsh-Language Fiction 1992-2016: An Overview | 
				
																																											
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											Aleksander Bednarski									 | 
			
			
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								| Vol 44, No 2 (2020): Formal Intersections between Narrative Fiction and Other Media (Guest Editors: Grzegorz Maziarczyk & Wojciech Drąg) | 
				Piecing Together J. G. Ballard’s "The Atrocity Exhibition" | 
				
																																											
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											Marcin Tereszewski									 | 
			
			
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								| Vol 44, No 2 (2020): Formal Intersections between Narrative Fiction and Other Media (Guest Editors: Grzegorz Maziarczyk & Wojciech Drąg) | 
				"A galaxy of signifiers”:  David Clark’s "88 Constellations" for Wittgenstein as a Paradigm of the Barthesian Writerly/Plural Text | 
				
																																											
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											Wojciech Drąg									 | 
			
			
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