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| Issue |
Title |
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| Vol 42, No 1 (2024) |
Montage in European Culture as Montage in Cinema and Art |
Abstract
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Valentine Oncins |
| |
| Vol 41, No 1 (2023) |
The Myth of Jerusalem. A Novel by Yelizaveta Mikhailichenko and Yuri Nesis "I/e_rus.olim" |
Abstract
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Mirosława Michalska-Suchanek |
| |
| Vol 41, No 1 (2023) |
The Space for Emigration vs. Identity Profile of Heroines in a Short Story "Woman of Russian Villages" by Ludmila Uliytskaya |
Abstract
|
|
Joanna Tarkowska |
| |
| Vol 41, No 2 (2023) |
Literary Space and the Quest for Identity in L'Ampleur du saccage by Kaoutar Harchi and Bilqiss de Saphia Azzedine |
Abstract
|
|
Khira Elazzouzi |
| |
| Vol 41, No 1 (2023) |
Man – City – Universe: The City between Identity and Strangeness in Some Central European Novels of the Second Half of the 20th Century |
Abstract
PDF
|
|
Tereza Knotová |
| |
| Vol 43, No 1 (2025) |
Between Exploitation and Resilience: Labour as a Lens on Creole Identity in Grand Café Martinique and L’Hôtel du Bon Plaisir by Raphaël Confiant |
Abstract
|
|
Buata Malela |
| |
| Vol 40, No 2 (2022) |
The Past and the Present: Peter Ackroyd’s Play with the Gothic in "Mr Cadmus" |
Abstract
PDF
|
|
Aleksandra Jarocka-Mikrut |
| |
| Vol 35, No 1 (2017) |
"From morphe to mecha" – Variations on the Humanity in the Prose of Jacek Dukaj |
Abstract
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|
Małgorzata Potent-Ambroziewicz |
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