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| Issue |
Title |
| |
| Vol 34, No 2 (2016) |
Utopian Thinking in "Mad Max: Fury Road" |
Abstract
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Bogusz Malec |
| |
| Vol 36, No 2 (2018) |
Fiction of Fear, Fictions of Hope – Transformations of Selected Categories of Catastrophic and Post-Apocalyptic Fictions at the Turn of the 20th and 21st Centuries |
Abstract
|
|
Karolina Wierel |
| |
| Vol 34, No 2 (2016) |
Zombie-centric literature as narratives of the beginning and the end |
Abstract
|
|
Ksenia Olkusz |
| |
| Vol 34, No 2 (2016) |
After the Apocalypse comes Utopia? Ivan Kmínek’s "Utopia, the Best Version" |
Abstract
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|
Kenneth Hanshew |
| |
| Vol 34, No 2 (2016) |
The image of a post-apocalyptic country in Ziemowit Szczerek’s literary work |
Abstract
|
|
Justyna Eliza Dąbrowska |
| |
| Vol 34, No 2 (2016) |
Contemporary archaeological landscapes. What will we leave behind after the end of times? |
Abstract
|
|
Szymon Domagała |
| |
| Vol 34, No 2 (2016) |
The Cars that Ate the World. Images of vehicles in post-apocalyptic movies |
Abstract
|
|
Andrzej Juszczyk |
| |
| Vol 34, No 2 (2016) |
#BlackLivesDontMatter – The Post-apocalypse and Politics in Vince Staples’ “Señorita” |
Abstract
|
|
Lidia Kniaź |
| |
| Vol 34, No 2 (2016) |
Post-apocalyptic vision of nuclear holocaust in Nevil Shute’s novel "On the beach" |
Abstract
|
|
Ewa Aleksandra Zwolak |
| |
| Vol 34, No 2 (2016) |
The post-apocalypse, fairy tales and horror in "Roadside Picnic" by the Strugatsky brothers |
Abstract
|
|
Karolina Wieliczko-Paluch |
| |
| Vol 34, No 2 (2016) |
Post-apocalyptic vision of man in novels by Dmitry Glukhovsky: "Metro 2033", "Metro 2034" and "Metro 2035" |
Abstract
|
|
Karolina Wierel |
| |
| Vol 34, No 2 (2016) |
In the garden of ashes. The symbolic representation of the water of life and the waste land in Cormac McCarthy’s "The Road" |
Abstract
|
|
Szymon Wnuk |
| |
| Vol 34, No 2 (2016) |
Development of the post-apocalyptic convention as a reflection of Western culture’s fears |
Abstract
|
|
Paweł Franciszek Gąska |
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